Each film in the Home trilogy finds Breuning’s gangly, oafish star and alter-ego, played by Brian Kerstetter, traveling to far-flung locations such as Machu Picchu, Paris, Ghana and Tokyo in a state of personal and cultural confusion. Along the way Kerstetter, who wears icy-blue contact lenses to reptilian effect, encounters local characters, finding himself in situations that are uneasily humorous. In Home (2005) the nameless character reimagines his life as a series of fantastical anecdotes from a hotel room at the famous Madonna Inn, halfway between Los Angeles and San Francisco. Home 2 (2007), which was included in the 2008 Whitney Biennial, follows him as he traverses the globe as a disoriented tourist. The third and final film, Home 3: Homage to New York (2012), produced with a grant from the Métamatic Research Initiative and premiered at the Swiss Institute, New York in fall 2012, tracks a raucous spree through the garish substrata of New York City.


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