Performance: Zinzi Minott, One Lyrical Bitch Solo

Zinzi Minott´s work focuses on the relationship between dance, bodies and politics. Strongly identifying as a dancer, she seeks to complicate the boundaries of dance and the place of black female bodies within the form. Her work explores how dance is perceived through the prisms of race, queer culture, gender and class. Zinzi is interested in the space between dance and other art forms, and though her practice is driven through dance, the outcomes range from performance and live art to sound, film, dances and object-based work.

In 2016/17, Minott was artist in residence at both Tate Modern and Tate Britain. During her time there, she was commissioned by the Tate to create Nowse Bwoy and Anty... The saving of a life, which premiered in February 2017 at the Tate Britain as part of BP Families Festival with sound from cellist Pete Yelding. She has also been artist in residence at Rich Mix and Dance Research Space 2016/17 and currently is the resident artist at the Somerset House and Once Dance UK Trailblazer. Most recently, Zinzi was awarded the Arts Council England's Artist International Development Fund, Jerwood Micro Bursary and the Live Art Uk / Live Art Development Agency-Diverse Actions Leadership Bursary. In 2018, Zinzi was the Artist in Residence at the Serpentine Gallery, and is currently one of two artists commissioned under the CONTINUOUS partnership, a four-year partnership between BALTIC Centre for Contemporary Art (Gateshead) and Siobhan Davies Dance, to explore the relationship between contemporary dance and visual art. The work will premier this Autumn, 2019 at BALTIC and will continue to tour into 2020. Her new work, What Kind of Slave Would I Be? will also be on tour this year

zinziminott.com