Kunsthall Stavanger is proud to announce a new, large-scale cinematic installation by Stavanger-based artist Anette Gellein.

Working at the nexus of visual art and film, Gellein’s practice revolves around themes of power, politics, sexuality, gender, and emotion. Drawing inspiration from camp and horror, German Expressionism, literature, avant-garde cinema, and queer politics, they create visual poems that reveal hidden emotional landscapes.

Gellein strives to continually push the boundaries of what queer feminist film can be, how it can be created and presented. They regularly collaborate with artists across disciplines such as performing arts, dance, music, film and art. To Gellein, the production process is as important as the final result. They explore different methods of performance and filmmaking on set in order to create a safe setting in which to address uncomfortable or vulnerable themes.

At Kunsthall Stavanger, Gellein will present a new immersive installation revolving around their analog short films, sculptural props, and visual artwork.

Curator: Heather Jones
Exhibition text: Heather Jones
Exhibition technician: Matt Bryans

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Anette Gellein, Stoner Queen of Hearts (2026), film still.

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Dyke Dreams001 00 09 28 22 Still002

Anette Gellein, Dyke Dreams (2024), film still.

Dyke Dreams007 Used in LIFT performance loop 00 29 51 09 Still019

Anette Gellein, Dyke Dreams (2024), film still.

Still 11 stine dans

Anette Gellein, Love and Greed and Pain and Lust (2023), film still.

Still 12 stine og brynjar

Anette Gellein, Love and Greed and Pain and Lust (2023), film still.

Still 03 Stine og brynjar

Anette Gellein, Love and Greed and Pain and Lust (2023), film still.

Screenshot 2025 02 19 at 11 14 02

Anette Gellein, Stoner Queen of Hearts (2026), film still.

Timeline 1 01 20 54 17

Anette Gellein, Stoner Queen of Hearts (2026), film still.

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