Kunsthall Stavanger will present Ebecho Muslimova's first exhibition in Scandinavia.

Muslimova, known for her raucous and sexually uninhibited character “Fatebe”, creates paintings and works on paper that beguile the eye as much as they humor the mind. Fatebe’s physical contortions and unpredictable quandaries play themselves out like performances on the canvas: each work depicts a single event that uncannily combines self-consciousness, comedy and vulnerability. Muslimova’s technical prowess as a painter helps to underscore the sheer delight of Fatebe’s misadventures. “As her life continues, Fatebe is faced with newly articulated objects, stretched over landscapes that are populated with new temptations and ghosts. With adoring precision, Muslimova codifies the echoes of domesticity, luxury, nature, education, psychology, fetish, and art itself—images that have the capacity to haunt her. Nothing can deter Fatebe, though. From her gleeful smile, we can assume that her convictions only gain momentum with every new opportunity to test them.” (Quote from Natasha Stagg, Cura Magazine).

The exhibition has received generous support from Kulturrådet, Fritt Ord, and Bergesenstiftelsen.

All copyrights: Ebecho Muslimova.

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Ebecho Muslimova, Fatebe Funambule, 2025 Sumi ink on paper. 9 x 12 in. unframed. Image. Magenta Plains. 

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E Mu 199

Ebecho Muslimova, Fatebe Blue Gallop, 2025. Oil on canvas. 72 x 72 in. Image: Magenta Plains.

E Mu 198

Ebecho Muslimova, Fatebe Sliced Sunset, 2024. Oil on canvas. 72x72 in. Image: Magenta Plains. 

E Mu 200

Ebecho Muslimova, Fatebe on the Burnt Side, 2025. Oil on canvas. 72 x 72 in. Image: Magenta Plains.

E Mu 202

Ebecho Muslimova, Fatebe Reap and Sow, 2023. Sumi ink and watercolor on paper. 9 x 12 in. unframed. Image: Magenta Plains. 

E Mu 204

Ebecho Muslimova, Fatebe Blow and Float, 2024. Sumi ink on paper. 9 x 12 in. unframed. Image: Magenta Plains. 

E Mu 205

Ebecho Muslimova, Fatebe Liar Haul, 2025. Sumi ink and watercolor on paper. 9 x 12 in. unframed. Image: Magenta Plains.

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